Writing motion that Kling can follow
1. Physical, concrete motion
Kling is strong at real-world physics. Describe motion physically — fabric catching wind, water splashing, a car braking — rather than abstractly.
2. Keep the scene simple
One subject, one environment, one action. Busy scenes split the model's attention and lose detail.
3. Use negative prompts sparingly
A short negative prompt for flicker or distorted hands helps; a long list rarely does.

